The Locrian mode is probably the least valuable primary scale mode because it sounds weird when taken out of context. Playing minor 7b5 chords has its place, and some jazz players will use this scale. Ionian/Major mode’s seventh mode, Locrian, is a seven-note scale with a numeric formula and is a seventh of seven. Locrian mode is a minor scale with minor second and diminished fifth intervals, essentially.
Locrian Scale – What is it?
Seventh in the significant scale, the Locrian mode is the seventh mode. The b2, b3, b5, b6, and b7 give it a distinctive sound. As a result, it’s the least-used and most misunderstood of the major-scale modes. On the other hand, the Locrian way is typically played over m7b5 minor seventh flat ninth chords, such as a little II-V-I sequence.
Using the four guitar shapes, you can play the Locrian scale on six, five, four, or three strings. When learning this mode, it is recommended that you start with the root note and work your way up (R). The root of a scale is a critical note.
As soon as you master the one-octave shapes, move on to the two-octave bodies. Use the root (R) of the Locrian mode in different keys by moving the heart (R) with the same intervals. Locrian way with a fifth note (5).
Locrian Scale in 12 Keys:
For example, the minor third scale consists of a diminished fifth (b5), minor sixth (b6), or flat thirteenth (b13), and minor seventh scales consist of a diminished fifth (b5) (b7). An extra note is added between the flat five (b5) and the minor sixth in the Locrian bebop scale (b6).
Half diminished arpeggio:
This scale can compare to four other Locrian modes. Another common jazz trick is using a half-diminished arpeggio on a minor seventh chord, starting on a third of the chord. There are two modes in the harmonic minor scale: Locrian natural six mode and Locrian natural seven modes. In place of a little 6, a natural six is used in its construction.
Locrian mode two:
Super Locrian b7, aka ultra Locrian mode, is the second Locrian mode to be unlocked. That’s right; this is the seventh mode of the harmonic minor scale. Notice that it’s built similarly to the Locrian way, but instead of a minor seventh (bb7), it has a diminished seventh ( (b7). In the third place, we have the Locrian mode #2, which is also known as the sixth mode of the
Arpeggios and chord progressions:
As its name implies, it has a major second (#2) instead of a minor second (b2). The formula has seven steps: 1, 2, 3, 4, 5, 6, and 7. Finally, we have the Bebop scales. When it comes to the Locrian bebop scale, it’s an eight- (built with eight notes). In this case, it is written as follows: 1-b2-3-4-b5, 5-b6-7, and so on. The formula has seven letters: 1, 2, 3, 4, 5, 6, and 7.
The general rule of Locrian Mode:
Generally, the Locrian mode is used with half-diminished chords (m7b5), but these chords are rarely. It means that a half-diminished arpeggio can emphasize the ninth (9) of a dominant seventh chord. An E half-diminished arpeggio can be played over a C dominant seventh chord (C7), beginning with the third note of the chord. In C7, the third note is the half-diminished arpeggio in E, followed by G, the fifth, Bb, and D.
Minor chord’s chord:
By using this technique, you can emphasize the thirteenth of a minor chord’s chord. A can also be called thirteenth because it’s the sixth letter of D. (13). As a result, all you have to do now is play a B half-diminished arpeggio – that is B, D.
Chord progression as half-diminished?
Use this minor seventh chord half-diminished arpeggio in C to learn how to use it. Over the Dm7 chord, we will only play a B half-diminished arpeggio, not the entire B Locrian scale. This arpeggio is represented by the four notes in orange in bar 1. Before beginning this lesson, you should be familiar with how the major scale is constructed.
Several large-scale works:
Check out the lesson Understanding the Major Scale if you’re still not sure how the major scale works! A scale diagram for the Locrian shape that we will be using in this lesson has been provided to you. Let’s start with an A major scale and alter some notes to make it into an A Locrian scale to understand better how the Locrian mode works.
Locrian’s major scale:
It’s written as 1A 2B 3C# 4D 5E 6F# 7G# in the a-major scale. It is done by lowering each scale degrees 2, 3, 5, 6, 7 by a half step. These notes in the A major scale can drop to create an A Locrian scale, written as 1A 2Bb 3C 4D 5Eb 6F 7G in A’s key.
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